ABRACADABRA

every key a universe whose dark matter is an axion of that key's mass, heard through the ABRACADABRA experiment's toroidal magnet, pickup loop and SQUID
MIDI off audio off

The toroid of C4

The magnet's field circles inside the toroid (the copper arrows). The axion turns it into an effective current along the same circles, g √2ρ cos(mt) B, which threads an oscillating field through the hole, where the magnet has none, and so a flux through the pickup loop there (the vertical arrow and the loop's glow), slowed here from the axion's own frequency to one swing a second. Its size wanders as the halo's waves drift in and out of step.

The search

hold a key: its spectrum, averaged as ABRACADABRA averages
The SQUID's spectrum near the last key struck, mixed down to its axion's frequency, in μΦ₀² per Hz against Hz above m c²/h (real Hz: the same as the note's), averaged over the seconds the key is held. The dashed line is the SQUID's noise floor and the curve what the Standard Halo Model predicts: the axion's line, a millionth of its frequency wide and one-sided, since every speed only adds. Averaging calms the noise, not the line: a buried axion climbs out, as in the experiment, as the square root of the time.

Where it sits

the axion's coupling against its mass
This universe's axion (the line, and a dot for each key sounding) on the plane every axion search plots: its coupling to photons against its mass. The keyboard spans 0.11 to 17 neV; ABRACADABRA-10 cm searched 0.41 to 8.3 neV and ruled out couplings down to 3.2×10⁻¹¹ GeV⁻¹ at its best; CAST and the stars allow 6.6×10⁻¹¹ at most. The QCD axion, the one that would also explain why the strong force keeps time reversal, lies far below, between its KSVZ and DFSZ lines.

Spectrum

live output · marker: the key's axion

Spectrogram

live output · ticks: the axions
Each note is a single line that brightens and fades on its own as its field wanders, the high notes faster (a million cycles is less time); the SQUID's noise is the haze around each, wider the higher the note.