Pad and reed, slow motion
The pad's face is bonded to the reed: lifting the key drags the reed up until the bond's edge peels away (the band under the pad shrinks), then the reed rings. Heights exaggerated; traces below: pad force and tip height.
Where the pad lets go
force vs deflection at the padThe reed's spring line, the static tack F₀, and the release points for key speeds from 3 to 40 cm/s: faster keys peel the bond at a higher force. Ringed: this note.
Spectrum
live output · markers: the reed's modesThe reed's overtones are not harmonic (about 8–12 × f₁ with the solder); the harmonics in between come from the pickup's nonlinearity.
Spectrogram
live output · ticks: the spectrum's markersThe reed's inharmonic overtone fades before its fundamental. The harmonic lines in between are the pickup's, made from the fundamental, so they fade with it.